'54
Tom Costa & wife with their twin boys as a young Carman
Cluna awaits show.Carman Cluna
How
do I verbalize the person Carman Cluna
was, or the impact the man had on not only my life but also so many
others who had the good fortune to know him?
I met Carman Cluna for the first time at St. Joseph's Patron Youth
Center at a rehearsal. Carman Cluna entered the Youth Center with a very
military bearing, and with a whistle around his neck. He wasn't a very
tall man but he immediately caught everyone's attention. His presence
emulated such a degree of authority and strength it appeared to the
Corps as if he were a "Giant". The only thought that ran through
everyone's mind was "this man is important," No one actually knew who he
was or why he was there, but for certain he was "Somebody." Instant fear
set in. Carman was introduced as our new drill instructor and he
proceeded to introduce to the corps members his rules and regulations as
everyone sat in complete shock.
Carman began rehearsals with the corps almost
immediately. Carman was as tough as they come. His method and style of
marching required perfection from each and every one of us. Every detail
was of monumental importance. There was no room for anything less in his
Drum Corps. I remember hours spent with him working on the smallest of
details down to position of our fingers. He worked every movement by
individual squads or sections and then drilled us over and over until it
reached the level he required. He was creative and innovative and never
compromised his standard for the difficulty, quality and performance in
his programs. He placed great importance to detail. Everything had to
be done his way or it was the "Highway." The Corps members feared
Carman and were afraid to even smile his
way. There was an incident, which stands out in my mind
that I would like to share: When we started to learn the
drill, Carman commanded us to "Dig In" (a term Carman
used to mark time with a high leg lift). He repeated it
over and over: “Dig In, Dig in!” louder and louder. We
continued to march lifting our legs higher and higher as
Carman continued to shout louder and louder "Dig In, Dig
in." it was then, that he stepped back unknowingly into
a puddle of water behind him and slipped and fell.
The entire Corps, being as frightened of him as we were, absolutely froze and the silence was deafening. Carman got up and looked at each one of us from one side of the Corps to the other and said, " You can laugh". Everyone broke out into an enormous laugh. We then found out at that moment that Carman did have a sense of humor! The only side of him the Corps ever saw was that of a "Disciplinarian and Perfectionist". At that moment, most of the members of the Corps and I developed a sense of love and respect for the man they feared. Honestly, not everyone could tolerate the continuous striving for perfection. Carman's drive for perfection and excellence was not everyone's idea of Drum Corps. I believe in my heart, Carman's discipline, self esteem and sense of dedication were valuable qualities that were instilled in all of us, prepared us for life and would guide us in our decisions made throughout life. He taught us to have respect for ourselves and developed a sense of pride in each and every one in our Drum Corps. Carman had the most profound effect on me personally.
Carman was a father figure, mentor and most of all, a friend to me. The sensitive side of Carman was rarely seen by many, but was shown in the form of pride for his Drum Corps. After St. Joseph's Patron Cadets won the Greater New York Championship he designed and rewarded the entire Corps with Championship rings. This was Carman's way of telling us how much we meant to him. Through Carman's devotion, St. Joseph's continued to improve and established recognition and respect from the top notch Corps in the area. Carman devoted himself entirely to the Corps. It was amazing to see the two most notable instructors, Carman Cluna and Hy Dreitzer, sit down and design a show for the coming season. I didn't realize the work and energy that actually went into creating a show. I did find out later just how difficult it really was and developed a new respect for both of them.
In 1968, St. Joseph's was failing financially. At the end of the season, Tony Franco stepped down as director, and Carman became the new (temporary) Director. Sal "Sonny" Calvagna, who later was brought on board to be the last director of St. Joe's and the subsequently the first director of the now famed "St. Rita's Brassmen " (At the end of the '68 drum corps season we were evicted from the St. Joseph's Church, please read the "History section of St. Rita's Brassmen for more information.)



