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Written by Hy’s Dearest Friend,
Carman
Cluna
1984
We are
here today,
drawn together in our grief, united in our
sorrow, each of us with the inescapable feeling that we should be
elsewhere, that we should be feeling safe in the knowledge that our
beloved Hy Dreitzer is alive and well, writing his music, teaching his
drum corps, smoking his pipe, telling his jokes, being his inimitable
self. But Hy Dreitzer is no longer in out midst.
Hy has been taken from us by a child’s disease… and if he must be gone,
how appropriate that is!
For Hy Dreitzer was a man so child-like in
his innocence as to be incapable of recognizing his own greatness.
This
man, who
single–handedly revolutionized drum and bugle corps
music in the early 1950s. This man, who inspired
countless thousands of drum corps fans with his artistry, his creativity. This man, who loomed as a
giant on the international stage for more than 30 years was always approachable,
always available, always willing to listen. There will never be another
42nd Street. His
Battle Hymn of the Republic will always stand alone; a testament
to his versatility, Slaughter on
10th Avenue: He did it first and he did it
best. Concerto in ‘F’…
Okalahoma Crude… Sorcerer’s Apprentice…
There is
more to great music than theory. Hy Dreitzer proved that. George Gershwin was
his idol. George Gershwin, whose genius was stifled at the age of 39. The
parallel is self-evident.
Hy & Flugelhorn at a Friday Night
1971 St. Rita's Brassmen Rehearsal
Taken from us at the
age of 56, Hy Dreitzer’s legacy was far from fulfilled.
But we are all richer for having known him.
The emotion, the warmth, the dynamics of his music were an extension of
himself; and we all know that he still had so
much more to give. He was my dear friend since 1955. I will miss him
more than I can say. It will never be the same again. Hy Dreitzer:
Loving husband to Florence, proud father to Annette, good friend to so
many, the God of Music to thousands upon thousands for more than three
decades.
He will live on in his music, and he will
live on in our hearts forever. And if the angels in that heavenly
choir thought that they were good before, just wait. THEY AIN'T HEARD
NOTHING YET!!
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Hy
Dreitzer
The “Patron Saint”of
Drum and Bugle Corps Music
An interview with Hy Dreitzer for a DCA Publication
(The interviewer is unknown)
Instructor of 1975 Champion horn line New York Skyliners
Herman Dreitzer. The name conjures up an echo in
the distance of time.
(Corps
like Des Plains Vanguard, St. Rocco’s, St. Joseph Patron Cadets, Carter
Cadet, Selden, Warriors,
Floyd
Bennett Golden Eagles
St. Ignatius, and his most successful east coast corps , The St.
Rita’s Brassmen
)
An echo
of precise bugling in red and black uniforms, crisp, clean,
and driving. Pictures of "Manhattan Towers" and "42nd Street" appear
on the movie screen of the mind, feeling, like Times Square on New
Year's Eve, there is nothing in this world like it. The man behind
that sound is "Hy" on drum corps....
Q. What do you recall as your first experience in drum corps?
A. Well, this is funny; when I was a kid of 9 years old, well, all
kids like to build icehouses, right? Well, we built one, but we
forgot to build a fire in it and we sat there for hours and hours. I
got double pneumonia. It was nearly fatal but I pulled through. The
doctor told my mother that if you want him (me) to have normal lungs
for the rest of his life, you better have him do some kind of special
exercise, maybe take up a wind instrument or something. Well, there
was a kid on the block that was in a little local drum and
bugle
corps. I joined. I don't recall the name, but I think it was a VFW
unit. But, I will tell you that I remember they were clean, even on the
old straight bugles. Then there was another corps in Brooklyn, that's
where I lived, that had *valve* horns. Well, we had to get to that!
WOW! It was not too long after that that I noticed that if you played
this note and I played that note we had harmony. I guess that's how it
all started. I was writing before I knew it! I entered the service in
1945 and afterward entered music school.
Q. What school did you attend?
A. It was the music school of the Henry Street settlement. It was a
good school then. We had some really great teachers there; our music
theory teacher was Felix Eberhardt who was a graduate of the
University of Heidelberg. I learned a lot from him...
Q. You were once a soloist with the Skyliners. When did you start with
them?
A. My first year was 1952 and I was on lead soprano. Then the next
year I dropped out because I knew I could not make the Nationals in
'53. Moreover, of course the American Legion Nationals was it. What was
the
sense of competing if you could not go to Nationals? Now in '54 there
was a big shakeup. A bunch of people left the Skyliners and went over
Hy's Friday
Night 1972 SRB Horn Rehearsal with Tommy Martin assisting
Phillip "Flip" Williams playing and Howard Jensen Jr. looking on.
 Hy
and Florence Dreitzer Enjoying
an evening out together |
to
Hawthorne. We lost the cream of the old Garbarina corps. And
shortly thereafter, Hawthorne became big winners. But we lost about 14
or 16 guys; in those days that was a lot of people. Especially when
usually you went with about 32 horns and you were lucky if you had 3
or 4 snares. Today, we have two more people in the drum line than we
had in the whole horn line 22 years ago!
Click on Photo Below
to See John Oddo's
Interview with Hy
The
esteem '71 Baritone Quartet .. Peter (Bucky)Fallon, Ruben Ariola, David
Lucas, Charlie Sugden
Q. What do you consider your greatest triumph in senior corps?
A. The Skyliners of course, have won just about every major title. But
the first show in 1960 - St. Pat's Preview of Champions in Jersey
City. Hawthorne had been unbeatable the year before, and we went out
and knocked them off. I was playing in the line then, too. That was a
very gratifying experience. You could talk about the three DCA
Championships we've won, you could talk about the "Dream"; winning the
"Dream" is always a great feeling. Last year's DCA Championship was a
little watered down! But it was great because we won high horns
despite the rain.
Q. You mentioned earlier the fascination you had for the first single
valve horn corps that you ever saw. How do you feel about the new
double piston valve bugles? Do you think DCA will take this path in
the future?
A. Well, if you remember the last meeting we had on it, the feeling
was the hell with the two-valve horn, let's go to three but keep it in
the key of G. I was amazed because I introduced
the idea to
DCA. What we are using now is a two-valve G
trumpet, with the rotary.
The horn ceased to be a bugle when we stopped
using Army Regulation
bugles and added a valve.
So now, there are
G trumpets. DCA said in effect, "Why be
hypocritical,
let's go to the three but keep it in G because
we still want that drum corps sound; we don't want that Bb band
sound."
Personally, I do not care if we went for six valves; as long as it is in
G, we still have the same sound but with more
versatility. We would still have drum and bugle
corps!
Hy
Dreitzer is a helluva man to talk to. Had we not
been both so tired
on that spring morning at 2:15am.We could have talked drum corps all
night. I personally feel that this person is the patron saints of drum
corps music. I do not know that anybody could challenge that...
Hy Dreitzer ( BACK TO CAMERA ) at Friday Night Horn Rehearsal ( circa
1970 )
Background , Joseph Luginsland, Gregory Bruce - French Horn
Foreground
, Reginald Henry, Mike Arato - Mellophone,
and Premiere Solo Soprano Jim Maldonado
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